Rave culture from the 1980s and 1990s was Europe’s last big youth movement. During this period of radical social and political change, rave, in its various guises, migrated around the continent from its epicentre of Great Britain, Belgium and Germany. As a movement, it enacted a desire to be autonomous, with a belief in tolerance and experimental living, all built around the latent energy of electronic music. As a music-based culture, it embraced self-practice, invention and unbridled creativity, arguably leading to the densest period in history for the diversification of music. Energy Flash will be the first museum exhibition for considering rave, as well as the social, political, economic and technological conditions that led to the advent of rave as an alternative movement across Europe. It will look at the ideologies as well as the aesthetics of rave, along with its effects on wider culture.
For many who felt failed by both the market and the state, raves opened up a third kind of space, which formed its own logic based on the collective. Regularly drawing many thousands of participants, raves themselves have been theorised as ‘temporary autonomous zones’ – spontaneously organised concentrations of people and musical energy that eluded formal structures of control. Though embodying both dystopian and utopian impulses, raves possessed some extraordinary qualities, transgressing race and class. Utilising the emergent technologies of the day, the music itself possessed a distinct new aesthetic that redrew the boundaries of music. Each locale developed its own rave culture, evolving countless forms of acid house, techno, hardcore, jungle and beyond. In a situation of moral panic, governments in Western Europe legislated to criminalise rave culture from the mid-1990s onwards.
Energy Flash will look at rave as a highly politicised phenomenon, considering it through the key notions of ‘autonomy’, ‘civil liberty’, ‘technology’ and ‘creativity’. As an interdisciplinary project, it will display the works of numerous visual artists in dialogue with many artefacts from the fields of design, music and fashion, along with items selected from various archives, television documentary, literature and criminal legislature. In bringing together this diversity of material, this exhibition will argue that rave culture was inhibited due to its ambiguous place outside of neoliberal ideology, existing largely autonomous of both market and the state forces. This condition makes it a key case study for those wishing to imagine alternative forms of infrastructure for art and culture.
The exhibition is curated by Nav Haq, Senior Curator at M HKA.
We are pleased to work in partnership with Ampere and CAHF (Contemporary Art Heritage Flanders) for the Energy Flash programme.
16.06.2016
Official opening supported by adidas
* 20:30 – Official opening by Koen Geens, Minister of Justice, and Wolfgang Flür, ex-Kraftwerk
* 21:00 – Reception
Ampere & M HKA present Energy Flash opening party
* 23:00 – DJ-sets by Wolfgang Flür / MusikSoldat (ex-Kraftwerk) DE and Renaat Vandepapeliere (R&S records) BE
* Collect a wristband from M HKA for free entrance to Ampere that evening
17.06.2016
Ampere & M HKA present Energy Flash focus on Chicago
* 23:00 – Line-up to be confirmed
18.06.2016
Jeremy Deller presents Acid Brass
* 13:30 – Acid Brass in Antwerp city centre
Ampere & M HKA present Energy Flash with Innervisions
* 23:00 – Âme aka Kristian Beyer (Innervisions) DE
Energy Flash has been made possible with the kind support of adidas.
This exhibition is realised with the support of the Culture Programme of the European Union, theMondriaan Fund, Acción Cultural Española (AC/E) and Turnlab.